Showing posts with label Trip Hop. Show all posts
Showing posts with label Trip Hop. Show all posts

13.5.18

Kabjanak - Out of the Dark


Band / Artist: Kabjanak
Year: 2015
Genre: Prog Rock, Trip Hop

My Review:
Dat beat doe... jeezum.  Reminescent of 70s acid trip jam, and laced with trip-hop beat layers and samplings used like ghost masking. It has a lot of skill and agility in how it flows, using all of these influences to form a whole all its own.

Kabanjak is a German artist, who i believe plays a number of instuments, and is the kind of guy to be sharing other musicians works on their own FB band page. Dude track 3, 7th gate, GOD THAT IS GOOD. Never did I think I'd see Prog and Trip-hop merged, and so well on that.

This one really works well alongside L O N E R, who I posted recently. I probably should look at putting them together on one mix.

Kabjanak - Out of the Dark

3.5.18

L O N E R - Bloom & Self Titled EP


Band / Artist: L O N E R
Year: 2016, 2017
Genre: Trip Hop, Trap, Chillout

My Review:
SO CHILL. Its titled on the soundcloud stream as "Sad as Fuck Hip Hop". I love the feel it has, of former triphop singer, an acoustic edge, and this lightly witchcrafty feel to it. You need to hear this one. Apparently its a musician named DMT, and a singer named Kelly Anne Corfield. I don't know much else, since i saved this ages ago and forgot to post a review on it.

L O N E R - Bloom

Also because its worth hearing as well, here is a more rough album that has a really great sound to it as well, if maybe a little more rough around the edges. I might even like this one a hair more potentially. If they evolve this well over a 1 year run, I'm excited to hear how much farther they are going to go.


L O N E R - Self Titled EP

14.7.17

Blind MIC - Codeine Bluez


Band / Artist: Blind MIC
Year: 2017
Genre: Hip-Hop, Trap, Trip Hop, Chillstep

My Review:
This music is actually really calming to me, but it feels like some kind of "we're gonna die so whatever here comes the grave". So yeah, I feel oddly conflicted about this album but I do like it enough that I've played it repeatedly.

I would love to say more, but I've been working myself to death this week, too tired. Good trip-hop/trap thing with a UK feel and drug and drinking references. Y'all have a good one.

Blind MIC - Codeine Bluez

4.7.17

Gosprom - 20


Band / Artist: Gosprom
Year: 2011
Genre: Trip Hop, Acid Jazz, Electropop, Alternative Pop

My Review:
So I probably downloaded this album back in 2014 or 2015. I am now at the point that I am reviewing it. Not because it was bad, just because I don't think I was ready for it yet. Really mellow, with a melding of electronics, jazz, and glitch, in a way that reflects a melody that I can't help but to really love now that I've spent my time in New Orleans and had the jazz seep into my life.

That being said, this is a more relaxed, atmospheric album, that plays in areas more like a demanding stage piece. I really enjoy putting it on for the night and having some work to get finished while it plays, so I can perk up and dance about a little when it behooves me.

So yeah, hope you like a weirdly drippy/glitchy russian electro-jazz-trip-pop album. I'm gonna listen again now.

Gosprom - 20

5.1.15

Mishka - Surf & Turf

Band / Artist: Various Artists
Year: 2014
Genre: Hip-Hop Beats, Trap, Dubstep, Chillstep, Trip Hop, Chillout

My Review:
Miska can be really hit or miss for me. This time around, I'm pretty happy with what they offered to the world. It's a great mix. Mishka is a New York fashion/anti-fashion label, that supports some really varied sets of music. This is their self description;
A New York City fixture since 2003, Мишка (“Mishka,” or “bear cub” in Russian) clawed their own path through the often homogenous streetwear world, beginning humbly as a small t-shirt upstart and maturing into a full blown cut & sew powerhouse.
Find them here.


Surf & Turf are hiphop/trap/dubstep/triphop blends that work really well as the music for your chill tent at a party, or as something to play in the background during that fancy soiree that you put on, so you can prove that you're hip, and know a lot of cool underground shit out of new york. That sounds like a total jerk description, but I've been driving around listening to these, and its really a good set mixes.
Mishka - Surf 




Mishka - Turf
 

8.7.13

Rabbit Hole Revelations - Songs for Broken Ears

Band / Artist:





Year: 2013
Genre: Folktronic, Trip Hop, Ambient Techno

My Review:
I got this email earlier in the week. Some good submissions from a pretty nice guy, making music and going to college in San Francisco. Here is his interview.

Jumbly Music: It's nice to meet you. How are you doing?

Rabbit Hole Revelations: I'm doing pretty swell. I was supposed to fly into San Francisco today but there was a huge plane crash! At first it was thought that everyone on board was okay but now I'm hearing that there have been two deaths. Either way, my thoughts go out to those involved.

Jumbly: A heart of gold in you sir. So, whats your back story?

RHR: My back story! I feel like a superhero, haha...I've had a pretty normal upbringing. I've lived most of my life in southern California but recently moved to the northern Cali which has been a blessing for my life and music. The scene up here is awesome, so much great stuff coming out of these parts. I've spent a lot of time in the past few years going to school, making music, involving myself in activism, living in communes and hitchhiking around the state. Not much to complain about.

Jumbly: That commune living always seems like it could be an interesting thing to try, as long as it doesn't start getting creepy. Where are you from?

RHR: All over. I was originally born in Paraguay, South America and moved to San Diego, California when I was 7 years old. A few years ago I decided to make San Francisco my home.

Jumbly: Do you find it influences your style and your music much?

RHR: My move to San Francisco seems to have made my music take a turn for the darker. The city is a cold, gritty animal!

Jumbly:
Who makes your album art?

RHR: I'm blessed to have a lot of great artists around me who are always willing to draw something up for me. My brother made the cover for LP and my friend Resham did for Songs For Broken Ears. They're both ridiculously good artists.

Jumbly: The art does fit with the music pretty well. Do you tour much? Ever doing a tour through the US?

RHR: I've played a few shows here and there but I'm broke as fuck, so I'm currently trying to acquire decent enough equipment to be able to produce a more visual and interactive live show. A tour would be amazing but being a university student leaves little time to even compose music sometimes.

Jumbly: I know plenty of people who have just made up the cash to do a short trip via car and couchsurfing. One group even picked up teeshirts from thrift stores on the road and screen printed them to sell before shows. Maybe you could try it that way.

What way do you think is best to enjoy your music? Would you consider it good date music, driving music, chillout music, etc?

RHR: People have told me it is good music to do drugs to, haha. My friend says she was saved from a bad trip by listening to one of my songs. I think it suits late-night driving through a big, lit-up city.

Jumbly: What would you say is your favorite thing you've done? What is you biggest failure, or least enjoyable thing you've done?

RHR: I love working with new musicians I meet online, especially on /mu/. The last thing I did was a song was a track called Lwaxana with this awesome female artist A Problem Like Maria. You can listen to that shit here: https://soundcloud.com/aplmaria/a-problem-like-maria-lwaxana.

All of the music I've made has been enjoyable, but my least favorite thing that still embarrasses me to this day is my first demo, Music for Psychonauts, which you can probably find if you dig around online.

Jumbly: I found it on LastFM. I can see your point of view, but I didn't hate it.
Do you like giving away your music for free? Do you hope to continue or would you rather move to a pay system?

RHR:
Yes! I hate the idea of money and think all art should be freely available to everyone, regardless of what they can pay for it. I've found that if people can pay, they usually will. The pay-what-you-want is the new system of how music will be distributed. Record labels are dead!

Jumbly:
Do you have any sounds/ bands/ or pieces of art that you admire or try to emulate with your music?

RHR: I love the chill, sultry experimental electronic music that has been making the rounds in the past few years. Stuff like Shlohmo, Lapalux, Teebs, Giraffage. Those cats are rad!

Jumbly: If anyone wanted to do a collaboration with you, would you be interested?

RHR: I'm always down to try something out, so yeah if anyone wants to collab hit me up!

Jumbly: How should they get in touch with you?

RHR: Rabbitholerevelations@gmail.com, or through Soundcloud or Facebook.

Jumbly: What kinds of projects do you really want to do in the future?

RHR: I want to start working with more rappers and singers. Most of the music I've made has been instrumental and getting lyrics adds a whole 'nother element to music that can completely change it.

Jumbly: Are there any bands that you're into currently? What do you think they did right, or should change in their follow-up? I love to hear real critiques from artists about other peoples work.

RHR: I really dig XXYYXX, I think he's one of the most interesting faces in music in the past few years, and he's only 17! The kid's really good at combining types of electronic music (hip-hop, garage, post-dubstep) and making something fresh out of them. His internet buzz alone made him blow up all around the world. I hope he doesn't let it get to him though and his follow-up is as good as his self-titled.

Jumbly: Do you follow the blog? What would you like to see more of? Or any suggestions?

RHR: Yes! I follow most of the bloggers on /mu/. I've found some great stuff on Jumbly Music that most people would never blog about. The only thing I would want is more updates, haha.

Jumbly:
I know, I wish that I could update more often as well. Since work picked up I've been a lot more busy, but I am hoping for a day where I can get enough traffic to justify working on it a lot closer to a part time job.
Do you know any other great sites that people should check out? What about any other bands?

RHR: Any music producers should check out the subreddit We Are the Music Makers (http://www.reddit.com/r/WeAreTheMusicMakers/). This is a great online source with a lot of information on making music. I would also like to give some shout-outs to the homies A Problem Like Maria, Blank Banshee, Electric Sea Spider, Insomniacs, AbnormAL. Catch them before they get huge!

Jumbly: Thanks a bunch for sharing your music with me.

I have one last question. Do you think that there are supernatural things out there? Do you think that music could be supernatural?

RHR:
I don't necessarily believe or disbelieve in the supernatural, I think things like that we just can't know for sure. I've been interested in the topic since I was very young but have never had any experiences myself. Music can be anything you want it to be! So yes, it can definitely be supernatural.
_________________


So he doesn't lie. The album is a good, quirky chillout album. Its worth looking at his collection of work. Hopefully he keeps working and can get some good tours going on, because I'd love to help get him some shows here in New Orleans.

Rabbit Hole Revelations - Songs for Broken Ears



Also I'm sharing his earlier album, LP. You can hear how he's grown from one release to the next.

Rabbit Hole Revelations - LP

18.3.13

Pretty Lights - The 2010 trilogy

Band / Artist: Pretty Lights
Year: 2010
Genre: Electro, Trip-hop, Bastard Pop

My Review:
 Play this
https://soundcloud.com/prettylights/sets/pretty-lights-2010-ep-trilogy

Derek Vincent Smith, the man, the mystery, the music. 
He's from Fort Collins, Colorado, and he's fresh into his thirties. He makes you dance.

He heads the Pretty Lights Music record label, which gives away their music for free, but asks for a donation via PayPal. All members of the label try to make all their money from touring and tips, which is an incredible thing to see someone do well in.

In 2010, his music career had begun to kick off pretty well, so he decided that during his touring, he'd make this trilogy of albums. He got everything together and cranked out his first on March 2nd, Making Up A Changing Mind.

By July 29th, he dropped Spilling Over Every Side.

And had the finale out by October 22nd, Glowing In The Darkest Night.


Here is his website.
http://www.prettylightsmusic.com/#/home

This set of albums has a ton going on. Trip-hop layouts, Electro and Dubstep effects, tons of Mashups from old Funk and R&B, as well as a ton of other places. It all melds together really well, creating a lush, funky Bastard Pop sound that makes you want to dance badly with your friends. I strongly encourage you to grab these three, and then go back to his website and drop him a couple bucks so he can get a cheeseburger or a beer.

Pretty Lights - Making Up A Changing Mind
Pretty Lights - Spilling Over Every Side
Pretty Lights - Glowing In The Darkest Night

 

 

 

14.12.12

Blake Market - Polynesia-town


Band / Artist: Blake Market
Year: 2009
Genre: Dubstep, Breaks, Dub, Downtempo, Trip Hop

My Review:

This one is very close to dubstep, just not your skrillex kind (pretty sure that one is known as Brostep now. Fitting.). Dubstep is such a bitch to pin down, like IDM was back in the early 2000s, because it has such a loose definition. 



Blake Market is also known by Anti-Man, Black Market, Blake Markle, Blakkar Noir, and Zark Behida, But I'll be damned if I couldn't find his REAL name. He has no website, and nearly every moniker he goes by has only one release. From hunting I did figure out that he has been releasing music since at least 2006.



Anyhow, I liked this one enough to keep, and it has had a few return rotations in the year I’ve had it. A lot more focus on the melody in this than the baseline, so it isn't quite as dance oriented, but it was still enjoyable.

Blake Market - Polynesia-town

11.10.12

Andrew Lagowski, Hellscion, NovA17

Band / Artist: Andrew Lagowski, Hellscion, NovA17
Year: 1995, 2012, 2012
Genre: Techno, Industrial, Hardcore Techno, Trip Hop, Breaks, Electro, Dark, Ambient, Dark Ambient, Film Score, IDM

My Review:
So I had hoped to have a really special exclusive to offer today, but that didn't really come together like I was hoping. BUT I WAS PREPARED. Instead I'm serving up 3 different flavors of dark electronic goodness.

Andrew Lagowski

Dark techno is what I'd like to find a lot more of. Like, REALLY dark. This one is well on its way there. It has these nice buildups, that slip back into a murky subdued sound of ominous ambient. I was enjoying the plays on build and release that is common in techno. Sadly its only available on heere as a Lo-fi format.




Apparently this album was even reviewed in Wired back when it came out. Good on ya.

Andrew Lagowski – Prismatic ()


Hellscion

This is his 4th release, and he's getting better and rougher every time. This one is right on the edge of EBM, and i really wish there was a vocalist growling out some great lyrics across the top of this, I dunno, something about hell and bondage or something. Either way, its dark and gritty.



Hellscion - Burning Bridges


NovA17

This one is some nice hip-hop beats, edging on horrorcore beats. An interesting instrumental album with a really dark edge to it, biting horror scores and dark ambience from horror, only to hack them up and loop them into the beats. This is the most chill of the posts today. It comes off like the little brother of "Genocide Memoria" from LFO Demon.

NovA17 - FFUNS [darkhiphop instrumental]



Alright. Enjoy another night of fright and horror.

19.7.12

Cell 1110 - St. Meringue



Band / Artist: Cell 1110
Year: 2005
Genre: Trip Hop, New Age, Synthpop

My Review:


I don't really know what you'd call this one.. New Age? I thought that died in the 90's with Enya. Nah, more like Trip Hop.

 I have no idea. Synthesized music by Clemens Haipl (from whom I have another solo record to post), with a female vocalist named Saskia Drennig. Their only outside info I've found was through the Comfort Stand record label, and their Myspace page, which are here if you want to look into them.




http://www.myspace.com/cell1110
http://www.comfortstand.com/artists/cell1110.html

She sings softly, it was a short, but pleasant listen.



Cell 1110 - St. Meringue