Showing posts with label 2005. Show all posts
Showing posts with label 2005. Show all posts

19.2.15

Jalikebba Kuyateh and the Toubabs - Jalikebba and the Toubabs


Band / Artist: Jalikebba Kuyateh and the Toubabs
Year: 2005
Genre: World, Spoken Word., African, Indian, Folk

My Review:
Swedish folk, Classical violin, Indian tabla, and African kora. All together. God. Damn. I like it a whole lot.

Here's a breakdown of the members
Two members of the group, Jalikebba and Haruna were born into griot families. Griots [ /grēˈō/ ] are a social caste who perform traditional music and poetry, jaliyaa, carrying on the oral tradition from antiquity.

Tommy is an Austrian performer and composer who specializes in the Indian tabla and other percussive instruments. Violinist Sandra and vocalist Kasja are both Swedes.

Jalikebba Kuyateh was born and raised in Gambia, and is a skilled kora player who has performed with many groups in Africa. He is in demand for festivals, weddings, and ceremonies. He also teaches music workshops both at the museum and abroad.

Currently, Jalikebba is the lead performer at the Tanji Village Museum in Tanji, Gambia.  The museum presents and preserves the traditional culture and the natural history of Gambia. These tunes were recorded live at the Tanji Village Museum, January 29, 2005.
So they make this neat melded sound, that seems like a much more melodic version of Bjork's weirder music, just infused with a ton of African influences. Listen to a track or two, and I'll bet it grows on you.

Jalikebba Kuyateh and the Toubabs - Jalikebba and the Toubabs

26.8.13

(Special Post) The Collected Works of Ken Smith

 


 
Band / Artist: Ken Smith
Year: 2004-2007
Genre: Techno, Gabber, Drum and Bass, Electro, Power Noise, Ambient Techno, Hip-Hop Beats,

My Review:

Ken was a friend of mine. We met in 2001 on a friends message board. We would talk online intermittently, but Ken was the sort of personality that even if you never met him in person, he would shine through. When I went off to Europe and heard frenchcore, Ken was the first person I thought of sharing it with. We shared a love for music, especially techno. We also had a lot of conversations about religion and art (and the chan), but music was always on our minds, and we were always sharing and collecting new artists between one another.

Ken died at the beginning of 2007. When I found out he was gone, I was confused, startled, and saddened. Like many who knew him online, we knew his computers would come and go in terms of working. I found out he had passed away in October 2007, long after he was laid to rest. I decided to try my best to find and contact all of his old friends, and collect every song or part of a song they still had from him.

It took a few years, and it came to a dauntingly large amount of music. After that the thing to do was sort it into albums the most like he would have made. I have to thank Briana Rhodes, Matt Clark, and Patrick Durbin, because they are the only way I could have found all of his music.

Some tracks have been edited to make them fit together better, or to provide closure to a track. A few tracks I remixed to make them work (especially on our collaboration album). Not every track is perfectly how I found it, or under the same name it was done under. Some song titles were altered, or in the cases of no original title, renamed with something Ken would like. The album art was all created with references or images ken had made or been in, with exception where needed.
 
I hope you enjoy this memorial to my friend. All the tracks are under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License (Details can be seen at; http://creativecommons.org/licenses/by-nc-sa/3.0/). Please feel free to remix, play, sample, or redistribute these anywhere or anyhow you wish. If you would like to ask about using any of them for commercial purposes, please email me.

So please enjoy. Spread it and share it with anyone you know, chop it up and make beats, use it for DJ shows, whatever you want. Ken would have loved other people sharing and celebrating his music.

Individual CDs
 


The full pack of all of these works is about 1.2 gigs. I'll upload it directly if anyone is interested, just shoot me a comment

Thanks

28.3.13

Clemens Eduard Haipl - 330rawson

Band / Artist: Clemens Eduard Haipl
Year: 2005
Genre: Synthpop, New Age, Lo-fi, New Wave, EBM

My Review:
My first look at the cover yielded a "....What?". Its a strange album. Strange, but not bad.

If you liked Space Dimension Controller then you'll likely enjoy this. 

Some of it is heavily steeped in the synthpop genre, and some has newagey moments and some lo-fi video-gamey elements. Everything sounds just a hair to the left of what I’d expect to hear on various New Wave and EBM nights at a goth club crossed over with the music from Katamari Damacy, the most entertianing nonsense game out there. Some of it is in English, while the rest is mostly in german I think. The vocals have a lot of synth processing in some spots.
 
As far as the man himself, He lives in Vienna. He was one half of the band Cell
1110, and is apparently a very prolific guy in Austria. Hell if I can find much more info, I don't speak German. I'm pretty sure I did find him on Google+ though.


https://plus.google.com/113120146981058885839/posts


And back to the album. It isn't 100% there, but its a pretty good freshman album. I only hope that he keeps making music and really works on his mixing and secondary production skills.

Clemens Eduard Haipl - 330rawson

23.1.13

50 Foot Wave - Superpack


Band / Artist: 50 Foot Wave
Year:2004, 2005, 2009, 2012
Genre: Alternative Rock, Punk

My Review:
They're Punk, they're Alt Rock, they're rough and tumble. With a female singer that defenitely rocks the mic, and a great backup behind her. They remind me of early smashing pumpkins, the nymphs, and a little bit of the casualties.




Apparently their name is a reference to both an illustration and the term for the 50-foot sound wave of the lowest F tone audible to the human ear. The singer is named Kristin Hersh, who played in Throwing Muses for 20+ years, along with the bassist, Bernard Georges. They picked up the drummer Rob Ahlers in 2003, and started working out a tour while making their first album.

By 2005, they released an LP, and kept on touring and releasing more. In 2009, they released all of their music for free, and THEY OPENLY ENCOURAGE YOU TO BURN COPIES. They want people all over the world to take copies of their music.

I've enjoyed one of their albums, Free Music!, since about 2007. Good music for the gym.



This band is giving away 6 albums. All in ONE download. I'd be lying if I said that wasn't an unbelievable number. They also have a section on Internet Archive dedicated to recordings of all of their live shows. Here's that link.

http://archive.org/details/50FootWave

So I hope you dig the music. Feel free to give a copy to friends.

50 Foot Wave - 50FootWave, Free Music!, Golden Ocean, Power + Light, With Love From The Men's Room, Singles, and Instrumentals.

29.12.12

On An Ocean Amp - We Are Now Growing Fast


Band / Artist: On An Ocean Amp
Year: 2005
Genre: Electropop, Glitch, Electronica, Experimental, Powerpop, Electro, Synth-pop

My Review:
One day, back in 2003, I'm sitting in a bar watching a noise show and drinking with a girl I had a crush on, when this guy I had started to make friends with walks in with a cardboard box filled with cds under his arm. He's Dan. He started a record label, and some random band from japan had signed to release their first album with him. It was for sale at $10 apiece, and this was what it looked like.

On An Ocean Amp? What? Well, I wanted to support Dan, and I'm all about a random band with an interesting album cover. Its like an adventure in a disc, you never know if it'll be amazing, or shit.

So when I played it on the ride back home, I was completely unsure what I was listening to. Its like an experimental electropop band with a cutesy japanese girl voice over the whole thing. Its like childhood packaged into synths.

Years later in college I emailed their website (now defunct), and got an email back later in the day. The guy in the duo, Mike McGuire, was super friendly and we ended up chatting for a few years. He sent me this album before it was done, as well as his own solo album, which I hope I can post here later on.

Well the band broke up pretty much as this album was being finished up, and what he said was enough for a 2 disc album ended up as this, a great album of strange Japanese influenced IDM/Electropop with a very good spread of tunes. I wonder how he is doing, and if either he, or Kaori are doing any new music projects. Rest assured, I'll let you know the moment that I find out.

Here is a review for the album.

http://www.japanator.com/album-review-on-an-ocean-amp-we-are-now-growing-fast-7847.phtml

It links to the post from Mike here.

https://www.blogger.com/comment.g?blogID=2468652165631826408&postID=3825017337283596744

Here is a direct repackaging of the album in case the original fails. I fixed up all the ID3 tag info, and even made an unofficial cover since it never got an official one.



On An Ocean Amp - We Are Now Growing Fast


Alright, assuming I don't find any juicy tidbits in the next day or so, this should be the last transmission till the new year. See you on the other side.

19.7.12

Cell 1110 - St. Meringue



Band / Artist: Cell 1110
Year: 2005
Genre: Trip Hop, New Age, Synthpop

My Review:


I don't really know what you'd call this one.. New Age? I thought that died in the 90's with Enya. Nah, more like Trip Hop.

 I have no idea. Synthesized music by Clemens Haipl (from whom I have another solo record to post), with a female vocalist named Saskia Drennig. Their only outside info I've found was through the Comfort Stand record label, and their Myspace page, which are here if you want to look into them.




http://www.myspace.com/cell1110
http://www.comfortstand.com/artists/cell1110.html

She sings softly, it was a short, but pleasant listen.



Cell 1110 - St. Meringue