Showing posts with label Ambient Techno. Show all posts
Showing posts with label Ambient Techno. Show all posts

8.4.15

Kinskop - Home Folder


Band / Artist: Kinskop
Year: 2010
Genre:Downtempo, IDM, Ambient Techno, Electroacoustic

My Review:
THE ARTIST FORMERLY KNOWN AS LOOM. They are coming from The Various Vegetables Label,  which is pretty freaking spiffy. I love me some good electronic stuff.

This is the most mellow album I'd imagine from Loom. Or Kinskop as they are now known. Its pleasantly made. If you've enjoyed Bitbasic (Meek, or Leonard), Loom, MemCave, or Yarn, you'll likely enjoy this one a lot.

Kinskop - Home Folder

15.1.15

Bitbasic - Leonard


Band / Artist: Bitbasic
Year: 2009
Genre: IDM, Electronica, Shoegaze, Ambient Techno

My Review:
He brought you Meek, and I liked it, so I'll just pretend that you did too.

This one has some similarities, and keeps his sense of style, but is an obviously different approach to making an album. He made the whole thing in one month. ONE. I'm very impressed. Its so polished, and has so many good parts. I like to think of it as easy listening for the weirdos and people who get bored by easy listening.

I hope you get a kick out of this one. Bitbasic is London-based electronica artist Simon Haycock. I'm hoping that one day I get to chat with this fellow.

Enjoy!

Bitbasic - Leonard

6.12.14

Microbit Project - White Deaf Cat


Band / Artist: Microbit Project
Year: Recorded 2012, Released 2014
Genre: Ambient Techno, Lo-Fi, IDM

My Review:
A sweet, soft, Lo-Fi album of chiptuney IDM type stuff. it has a lot of synth Theramin sounds. Its very melodic, and leaves you in a peaceful place overall. The label released a long post with the album, so here it is.

Microbit Project is a music project by EugenKha.
One of the most creative melodic music producers among poets, and audio explores that puts Russia high up on the underground map of prettiness!

He debuts a very beautiful release on L0bit, delivering all round electronic sweetness. It's something that you will like when you are into good friendly vibes,  that put 'easy listening' way up to to the forefront.

an album about a pretty 'White Deaf Cat' celebrated with lovable melodies, petite cuteness and friendly vibes. Something so adorable that you might scratch your head how on earth this release could be delivered for free! But that was written in the will of the deaf white cat, that this music would be out there for everyone to enjoy, to be cherished and loved!

And for sure this release is all about love! every note you hear, perfectly captured in this ultra friendly sound. These cute music lines that makes you feel like stroking the soft fur of a white deaf cat. It's of grotesque beauty and yet so microscopic small that it will fit in your smallest pocket.

The release comes with two remixes for everyone who just can't get enough of this album! And L0bit assures you, you can't get enough of this album!
Alright, well, go enjoy.

Microbit Project - White Deaf Cat

19.5.14

Waves - The Sounds Around Him


Band / Artist: Waves
Year: 2013
Genre: Ambient, Synth Pop, Ambient Techno, Soundscape

My Review:
I got an email during some dead time that I had been thinking about the perfect time to share.

You posted some of my music before and I really appreciated it!  I have recently posted a new album.  Take a look if you are interested.

Seems like this is a pretty great time. Waves was one of the first artists to send me anything for Jumbly, and has my full support as an artist. I enjoy the ambient, soundscape qualities of the first album, and the new one does not disappoint either. It shows his growth.




The best descriptions I could give, is that this has a droning, looping, warped quality that incorporates out of the ordinary sampling in order to make something that builds on the beats and melodies. I'm looking out to see what other music will be coming along from Waves, because it sure does feel right to have on a calm morning like today.

Waves - The Sounds Around Him

28.2.14

Yarn - Inner Expedition

Band / Artist: Yarn
Year: 2013
Genre: Ambient Psy, Psytrance, Ambient Techno

My Review:
A good little Chillout album that made me think of ambient psytrance. I used this for a relax album for my whole Christmas vacation, and for my plane trip to and from DC recently (great time).

The musicians are a producer duo from Budapest that have been making music since I'm not sure quite when. Apparently there is another band named yarn, so I can't get info from this version without some serious work.

I'm inspired by this album to work on a little project that I believe you might enjoy in the near future. I'll let you know about it when there is time to get it finished, but rest assured that it'll be a good one.


Yarn - Inner Expedition

28.1.14

Marsan - Music For Agoramaniacs


Band / Artist: Marsan
Year: 2014
Genre: Chillout, Ambient Techno, Electro-Acoustic

My Review:
I got a new email from a fresh friend. At least he's a friend now. He wanted to share his music with the blog. I listened through and I like it, so I'll let him describe it all, and I'll just share.

"I'm a 21 y/o Chicagoan who's performed in a few local DIY bands (shy guy says, acker). In late 2012, however, I decided to use the resources around me to write music on my own. All parts were written, performed, recorded and edited entirely by myself.

I began with some minimal repetitive pieces for a buddy's film. I recorded some ambient/IDM tracks, but used all live instrumentation, which, to my surprise, gave it a unique energetic or "live" feel. I got the idea to keep using this technique but with a larger variety styles (Post-punk drumming and vocals on "Strain Theory", pop melodies on "Linoleum", "Dominoes" or "Snow Day", saturated jazz/hip-hop on "reawaken", and so on). The result was an intricate, diverse album, which, thanks to my steady lineup of instruments & effects, managed to flow seamlessly.

The album art imposes a setting for the album: a shopping mall. The massive, labyrinth-like landscape is the perfect launch point. The songs navigate through the complex to different rooms and corridors - spaces of all different sizes, moods, attitudes... Really this album is for people who are, like me, obsessed with open space.

Thus the title - Agoramania: a mania for open spaces
Because the whole project began as an attempt to imitate electronic music with acoustic (or "live") instruments, I continued the theme with the artwork. The cover was made by printing out mall blueprints with different colors and photo effects. Then, inspired by the layer options in photoshop, I hand cut and pasted the prints. In the "alternate" cover, I held up the painting of the room, floorboards and background at varying distances and snapped a picture.


I was considering naming the album "Digital by hand" after the technique, but instead used the name for a track. In line with the theme of shopping malls, the lyrics deal with consumerism, contradictory media messages, manipulation, etc."


Alright, well I hope that clears it all up for you. I'm going to be listening to this one for a while. I'll keep a free version of the album online as long as he'd like.


1.10.13

Moby - Multi-pack

Band / Artist: Moby
Year:2000-2012
Genre:Ambient Techno, Techno, Choral, Trance, Acoustic

My Review:

Moby introduces mobygratis.com from Moby on Vimeo.

So Moby is still a cool guy. I've always loved the Play & Play B-sides albums. I've had a really hearty cry to some of the tracks on Everything is Wrong. I've danced quietly to some of the tracks off of his multitudes of albums, and sat solemnly to others.

This is a little more of an artists resource than it is a huge collective. Moby releases these songs to be used for any art piece you are making as an independent artist. The goal is to help indie film people make video with a great soundtrack. Either way, you're looking at music from 2000 onward, all there for you to enjoy, so you should enjoy it.

Thanks Mr. Moby.

MobyGratis - Multi-pack of albums

26.8.13

(Special Post) The Collected Works of Ken Smith

 


 
Band / Artist: Ken Smith
Year: 2004-2007
Genre: Techno, Gabber, Drum and Bass, Electro, Power Noise, Ambient Techno, Hip-Hop Beats,

My Review:

Ken was a friend of mine. We met in 2001 on a friends message board. We would talk online intermittently, but Ken was the sort of personality that even if you never met him in person, he would shine through. When I went off to Europe and heard frenchcore, Ken was the first person I thought of sharing it with. We shared a love for music, especially techno. We also had a lot of conversations about religion and art (and the chan), but music was always on our minds, and we were always sharing and collecting new artists between one another.

Ken died at the beginning of 2007. When I found out he was gone, I was confused, startled, and saddened. Like many who knew him online, we knew his computers would come and go in terms of working. I found out he had passed away in October 2007, long after he was laid to rest. I decided to try my best to find and contact all of his old friends, and collect every song or part of a song they still had from him.

It took a few years, and it came to a dauntingly large amount of music. After that the thing to do was sort it into albums the most like he would have made. I have to thank Briana Rhodes, Matt Clark, and Patrick Durbin, because they are the only way I could have found all of his music.

Some tracks have been edited to make them fit together better, or to provide closure to a track. A few tracks I remixed to make them work (especially on our collaboration album). Not every track is perfectly how I found it, or under the same name it was done under. Some song titles were altered, or in the cases of no original title, renamed with something Ken would like. The album art was all created with references or images ken had made or been in, with exception where needed.
 
I hope you enjoy this memorial to my friend. All the tracks are under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License (Details can be seen at; http://creativecommons.org/licenses/by-nc-sa/3.0/). Please feel free to remix, play, sample, or redistribute these anywhere or anyhow you wish. If you would like to ask about using any of them for commercial purposes, please email me.

So please enjoy. Spread it and share it with anyone you know, chop it up and make beats, use it for DJ shows, whatever you want. Ken would have loved other people sharing and celebrating his music.

Individual CDs
 


The full pack of all of these works is about 1.2 gigs. I'll upload it directly if anyone is interested, just shoot me a comment

Thanks

8.7.13

Rabbit Hole Revelations - Songs for Broken Ears

Band / Artist:





Year: 2013
Genre: Folktronic, Trip Hop, Ambient Techno

My Review:
I got this email earlier in the week. Some good submissions from a pretty nice guy, making music and going to college in San Francisco. Here is his interview.

Jumbly Music: It's nice to meet you. How are you doing?

Rabbit Hole Revelations: I'm doing pretty swell. I was supposed to fly into San Francisco today but there was a huge plane crash! At first it was thought that everyone on board was okay but now I'm hearing that there have been two deaths. Either way, my thoughts go out to those involved.

Jumbly: A heart of gold in you sir. So, whats your back story?

RHR: My back story! I feel like a superhero, haha...I've had a pretty normal upbringing. I've lived most of my life in southern California but recently moved to the northern Cali which has been a blessing for my life and music. The scene up here is awesome, so much great stuff coming out of these parts. I've spent a lot of time in the past few years going to school, making music, involving myself in activism, living in communes and hitchhiking around the state. Not much to complain about.

Jumbly: That commune living always seems like it could be an interesting thing to try, as long as it doesn't start getting creepy. Where are you from?

RHR: All over. I was originally born in Paraguay, South America and moved to San Diego, California when I was 7 years old. A few years ago I decided to make San Francisco my home.

Jumbly: Do you find it influences your style and your music much?

RHR: My move to San Francisco seems to have made my music take a turn for the darker. The city is a cold, gritty animal!

Jumbly:
Who makes your album art?

RHR: I'm blessed to have a lot of great artists around me who are always willing to draw something up for me. My brother made the cover for LP and my friend Resham did for Songs For Broken Ears. They're both ridiculously good artists.

Jumbly: The art does fit with the music pretty well. Do you tour much? Ever doing a tour through the US?

RHR: I've played a few shows here and there but I'm broke as fuck, so I'm currently trying to acquire decent enough equipment to be able to produce a more visual and interactive live show. A tour would be amazing but being a university student leaves little time to even compose music sometimes.

Jumbly: I know plenty of people who have just made up the cash to do a short trip via car and couchsurfing. One group even picked up teeshirts from thrift stores on the road and screen printed them to sell before shows. Maybe you could try it that way.

What way do you think is best to enjoy your music? Would you consider it good date music, driving music, chillout music, etc?

RHR: People have told me it is good music to do drugs to, haha. My friend says she was saved from a bad trip by listening to one of my songs. I think it suits late-night driving through a big, lit-up city.

Jumbly: What would you say is your favorite thing you've done? What is you biggest failure, or least enjoyable thing you've done?

RHR: I love working with new musicians I meet online, especially on /mu/. The last thing I did was a song was a track called Lwaxana with this awesome female artist A Problem Like Maria. You can listen to that shit here: https://soundcloud.com/aplmaria/a-problem-like-maria-lwaxana.

All of the music I've made has been enjoyable, but my least favorite thing that still embarrasses me to this day is my first demo, Music for Psychonauts, which you can probably find if you dig around online.

Jumbly: I found it on LastFM. I can see your point of view, but I didn't hate it.
Do you like giving away your music for free? Do you hope to continue or would you rather move to a pay system?

RHR:
Yes! I hate the idea of money and think all art should be freely available to everyone, regardless of what they can pay for it. I've found that if people can pay, they usually will. The pay-what-you-want is the new system of how music will be distributed. Record labels are dead!

Jumbly:
Do you have any sounds/ bands/ or pieces of art that you admire or try to emulate with your music?

RHR: I love the chill, sultry experimental electronic music that has been making the rounds in the past few years. Stuff like Shlohmo, Lapalux, Teebs, Giraffage. Those cats are rad!

Jumbly: If anyone wanted to do a collaboration with you, would you be interested?

RHR: I'm always down to try something out, so yeah if anyone wants to collab hit me up!

Jumbly: How should they get in touch with you?

RHR: Rabbitholerevelations@gmail.com, or through Soundcloud or Facebook.

Jumbly: What kinds of projects do you really want to do in the future?

RHR: I want to start working with more rappers and singers. Most of the music I've made has been instrumental and getting lyrics adds a whole 'nother element to music that can completely change it.

Jumbly: Are there any bands that you're into currently? What do you think they did right, or should change in their follow-up? I love to hear real critiques from artists about other peoples work.

RHR: I really dig XXYYXX, I think he's one of the most interesting faces in music in the past few years, and he's only 17! The kid's really good at combining types of electronic music (hip-hop, garage, post-dubstep) and making something fresh out of them. His internet buzz alone made him blow up all around the world. I hope he doesn't let it get to him though and his follow-up is as good as his self-titled.

Jumbly: Do you follow the blog? What would you like to see more of? Or any suggestions?

RHR: Yes! I follow most of the bloggers on /mu/. I've found some great stuff on Jumbly Music that most people would never blog about. The only thing I would want is more updates, haha.

Jumbly:
I know, I wish that I could update more often as well. Since work picked up I've been a lot more busy, but I am hoping for a day where I can get enough traffic to justify working on it a lot closer to a part time job.
Do you know any other great sites that people should check out? What about any other bands?

RHR: Any music producers should check out the subreddit We Are the Music Makers (http://www.reddit.com/r/WeAreTheMusicMakers/). This is a great online source with a lot of information on making music. I would also like to give some shout-outs to the homies A Problem Like Maria, Blank Banshee, Electric Sea Spider, Insomniacs, AbnormAL. Catch them before they get huge!

Jumbly: Thanks a bunch for sharing your music with me.

I have one last question. Do you think that there are supernatural things out there? Do you think that music could be supernatural?

RHR:
I don't necessarily believe or disbelieve in the supernatural, I think things like that we just can't know for sure. I've been interested in the topic since I was very young but have never had any experiences myself. Music can be anything you want it to be! So yes, it can definitely be supernatural.
_________________


So he doesn't lie. The album is a good, quirky chillout album. Its worth looking at his collection of work. Hopefully he keeps working and can get some good tours going on, because I'd love to help get him some shows here in New Orleans.

Rabbit Hole Revelations - Songs for Broken Ears



Also I'm sharing his earlier album, LP. You can hear how he's grown from one release to the next.

Rabbit Hole Revelations - LP

12.5.13

Sasha Yeller - The Land With No Defects EP


Band / Artist: Sasha Yeller
Year: 2012
Genre: Tech-House, Ambient Techno

My Review:
During the early 90s, the techno, trance, and house movements were starting to come into their own, but had nearly a decade before they would mature into a solid entity, only to seemingly fizzle out of existence in the public realm, and be eaten and reused by many other genres and given little credit for the creativity they lend themselves toward.

But these early 90's explorations into electronica bore a ton of bands and engaging albums into the world, which still hold their own, especially in my collection. This harkens back to these seamlessly, while sounding very unique and fresh in its own right. It reminds me of mid 90's Orbital, Traci Lords, Utah Saints, and others, but more stripped down and with soft vocals layered throughout. Tracks are long, and help to evoke the trance element, giving you the urge to drink a little too much and dance with strangers in strangely lit rooms to it. I think this is a good quality.

There isn't much else to say about this one, because all I found for the musician was a Google+ page here. https://plus.google.com/113896913755414679771/posts

As always, hope you enjoy.

Sasha Yeller - The Land With No Defects EP

17.4.13

Lomov - Free Port


Band / Artist: Lomov
Year: 2004
Genre: Ambient Techno, Minimal

My Review:
I had no idea that the label this was posted under had closed down. I'm really sad to see that. I've had this album for almost 8 years, and I've listened to it for so long that it feels like a glass of milk & honey for my ears, smooth, and calming, settling me in so nicely. It works really well as a sleeping album too.



So first I'll talk about what I know about the musician. His name is Axel Bergk. He lives in Hanover Germany. He started making music and made his own collaborative label, Stadtgruen. He was very prolific from 2004 until around 2008, and then I'm not quite sure what happened. I had been in contact with him at one point, and he gave me the chance to use some of his music in an early prototype of a flash game that my team was working on. He was very generous, and I am forever appreciative for it.

The album itself is all based around the idea of a port, and a conputer. The mixture of digital clicks and beeps, with the ambience of a somewhat sparse industrial setting makes for a pretty great minimalist album, falling somewhere between a droning ambient, and the most minimalist of microhouse. I've loved it for years.

Lomov - Free Port