Showing posts with label Hip-Hop. Show all posts
Showing posts with label Hip-Hop. Show all posts

30.11.17

Sims - Wildlife


Band / Artist: Sims
Year: 2011
Genre: Hip-hop

My Review:
I have insomnia. Thats neither here nor there, because this is a pretty awesome hip-hop album.
Lots of really impressive sampling work and really solid, soothing beats with a pleasant subdued method of rhyming. I enjoyed this a lot, listened to it about 3 different times while busy and found I'm getting more into it as it keeps playing.


Alright, I'm busy as hell, hope you enjoy.

Sims - Wildlife

14.7.17

Blind MIC - Codeine Bluez


Band / Artist: Blind MIC
Year: 2017
Genre: Hip-Hop, Trap, Trip Hop, Chillstep

My Review:
This music is actually really calming to me, but it feels like some kind of "we're gonna die so whatever here comes the grave". So yeah, I feel oddly conflicted about this album but I do like it enough that I've played it repeatedly.

I would love to say more, but I've been working myself to death this week, too tired. Good trip-hop/trap thing with a UK feel and drug and drinking references. Y'all have a good one.

Blind MIC - Codeine Bluez

14.4.17

The Impossebulls - The Devils You Know



Band / Artist: The Impossibulls
Year: 2016
Genre: Hip-Hop, Soul-RnB

My Review: 
Here is the direct post info that came with this release. They have a great groove that seems to be falling to the wayside in rap and hip-hop these days. I hear plenty of Geto Boys and People Under the Stairs. I'm really liking it.


Today The Impossebulls return with their first album of all new material since 2014’s impressive “Everything Has Changed; Nothing Is Different”! The new album, “The Devils You Know” is another dope selection of joints that simultaneously take you back to that classic boom bap sound, while also remaining fresh and new.As with the previous album, The Bulls enlist a little help from good friends and legends… the most notable of which is one of the founding members of the great Stetsasonic and one of the most distinctive voices in hip-hop… Daddy-O! Of course that’s not all… the great Kyle Jason lends his voice to the album… as does the talented Anime Oscen. Last, but surely not least… our own The Honorable Sleaze drops a verse!This dope new album isn’t all, though… in the coming five months, The Bulls are dropping the 5x5 series of EPs. One each month featuring more new music! Also, very soon, fans will be able to purchase “Devil’s Work”… a limited edition box set containing the album and all five EPs, so fans don’t have to wait to get all that fresh music into their ears! We’ll let you know when that becomes available. For now… we hope you enjoy the new album.A very sincere thank you to The Impossebulls and all collaborators for delivering yet another underground / independent / netlabel hip-hop classic. Sleepers will sleep… those who are woke will hear it. blocSonic’s going to continue to wake ’em. Word.Of course, thanks once again to you for downloading & listening. We always strive to deliver the music you’ll love. Please spread the word about blocSonic, if you enjoy what we do. Remember… everything we release is cool to share! Always keep the music moving… share it… blog it… podcast it! If you’re in radio… support independent music and broadcast it!

I think they summed it up just fine. Good shit. Listen to it.

28.7.15

Cullah - Cullah The Wild


Band / Artist: Cullah
Year: 2015
Genre: Blues Rock, Psych-Rock, Jam, Alternative rock, Jazz Rock, Hip-Hop

My Review:
Dammmmn.. I dig the hell out of this. It rolls with a great punchy rhythm, and when he pushes his voice, I swear I can hear some early Chris Cornell. Its pretty badass.

So this guy is a sleeper hit. Great quality, and I have NO idea how he never got a following. Its just too good to not see a lot of wonder in how the hell you don't hear something like this on the radio.

SO his name is Ian McCullough, and he's an artist out of Wisconsin (honestly, this guy and cheese seem like what Wisconsin has going for it.)

His website is here.

He's a talented youngin', and I hope I hear more about the guy, because its worth the listen.

Cullah - Cullah The Wild

24.3.15

Yeah Yon - Pasen y Vean


Band / Artist: Yeah Yon
Year: 2012
Genre: Hip-Hop, Pop, Rap

My Review:
I swear to god I wrote a whole review for this once already, but I'll be damned if I can figure out how that vanished. Anyway, this is a rap artist from Spain, who I enjoyed, though he isn't my normal style.
He's from the Mesdemil Netlabel, who I've been enjoying the hell out of recently.
I am not about to rewrite all of that I had on here, so I'll just share and hope you enjoy.

Yeah Yon - Pasen y Vean

2.3.15

Turbo Suit - Out Here


Band / Artist: Turbo Suit
Year: 2015
Genre: Electro House, Jazz, Breaks, Breakbeats, Hip-Hop

My Review:
Formerly known as Cosby Sweater, but changing their name due to the current news, and probably because there is a good chance that using the Cosby name was gonna get them sued. I'm sad to see the name go away, because it was so awesome.

Anyway, they put out their announcement here.

This one is fun, flashes of hip-hop, funk, and some really pleasing electro and dubstep. Its faster, and cleaner than their past efforts, with a great, clean mixing. I am jamming to this one a LOT, I'd love to see them come out to play live at a party from around Mardi Gras time.

Alright. Favorite track; Wake Up

Turbo Suit - Out Here

14.2.15

2015 VDAY MIXTAPE - LOVE



Band / Artist:
Sunny Side Up,
Low Leaf,
Eric Serra,
Dive,
Hot Mouth,
Frank Guerrero,
Ivan & Alyosha,
Mr. Meeble,
Cruxshadows,
DJ not-I,
Blur,
Pet Shop Boys,
Nightmares on Wax,
Grant Cornish,
The Kleptones,
Texas Paul Sutherland,
Toadies

Year: 1994-2013
Genre: Ska Revival, Indie Dance, Nu Disco, Industrial, Electro, Latin Dance, Acoustic, Goth Rock,  Mashup, Breakbeat, Hip-Hop, Easy Listening, Southern Rock, Alt Rock

My Review:
It's here, it's eclectic. I like it. Enjoy!

Password; Howdy

Ser.aph - LOVE (2015 Mixtape)



2014 VDAY MIXTAPE - LUST


Band / Artist: 
DMX Krew,
Nine Inch Nails,
Andy Iona,
Die Warzau,
Wobbly,
AVAN LAVA,
My Life with the Thrill Kill Kult,
Robotanists,
Crystal Waters,
Scooter and Lavelle,
Plumtree,
Snake River Conspiracy,
Hiroyuki Namba,
ST,
White Flashes,
Tobacco,
NEVADA BASE,
Cosby Sweater,
Paper Weights

Year: 1934-2013
Genre: Industrial Rock, Electronica, IDM, Jazz, Synthpop, Indie, Electro, Chillout, Alternative, Hip-hip

My Review:
LONG AWAITED, WITH MANY REQUESTS. I mean.. I think people like these? Whatever, if you dig them, leave a comment to let me know so I'm not just wasting my time. I made this one last year and the next I finished up this year.

Jam on!

Password; Howdy


Ser.aph - LUST (2014 Mixtape)

14.5.14

KidSyc - Willy Lynch Noah's Ark


Band / Artist: KidSyc
Year: 2013
Genre: Rap, Hip-Hop

My Review:
I have a buddy I went to college with, who has been running around the Savannah music scene since 2005. He makes some pretty kickass hiphop, and I have been meaning to get with him and share his stuff for a while now. Ever since I moved from Savannah, he has been cranking the hell out of music.

Check out the hiphop. Its smooth, vibrant stuff, that doesn't focus on being some kind of constant badass or some sort of kingpin of crime. He has more chill lyrics, that often feel a little more grounded and pleasant to me.

Alright, check him out.

KidSyc - Willy Lynch Noah's Ark

9.5.14

Quickie Mart - Gypsyphonic Disko with Ben Ellman


Band / Artist: Quickie Mart
Year: 2009
Genre: Balkan, Bounce, Hip-Hop, Mashup, Bastard Pop

 My Review:
I've been listening to stuff from quickie mart for a while now, and some other monikers of his. I first caught him in an interview where he was dissecting bounce, its influences, and its role in the future of music, for good or for ill.


He seems like a smart guy, and its interesting that his music of choice be bounce, which I can completely understand, because of what bounce is and represents. It's gritty, shitty, and it doesn't really care. Anyways, here's a comp album of mixtapes I guess, of some hip-hop, some bounce, some rap, and Balkan beats & gypsy music. It's dancey, raunchy, and just fun all the way through.

My mom even danced to it (not like that, sicko.) While we were cooking for thanksgiving meal.

So yeah, take that.

Quickie Mart - Gypsyphonic Disko with Ben Ellman

19.2.14

Busta Rhymes & Q-Tip - The Abstract & The Dragon


Year: 2013
Genre: Hip-Hop, Rap

My Review:
There are a ton of reviewers who already gave this their breakdown, so I'm gonna keep this simple.

Fresh stuff from Busta. He's still out there making work, and now he's working with Q-tip on this new mixtape. Good Shit.

Just like you'd expect, this isn't exactly the same as his old stuff,  but it is a mixtape, so its retro as fuck in some parts, even racing back to the very early style before the end. Busta Rhymes and Q-tip finally got together and made some shit happen. It was really good to hear them back on the scene.



Busta Rhymes & Q-Tip - The Abstract & The Dragon

12.1.14

Singles Posts - Kitty Cash, K.Flay, Son Lux, Aesop Rock & Blockhead, SKOGSRÃ…



Kitty Cash - Love The Free


A good mixtape that falls between glitchy Alt Pop and R&B. There are a lot of electronic influences in this, and it takes a song or two before it really gets rolling in my opinion. Once it gets going, I enjoyed it, except for the between-song sample that would remind you that Kitty Cash made the mixetape. Advice for all the mixers out there, if you need to remind people who made the set, then you are definitely doing something wrong.




K.Flay - Seen it all (Jake Bugg cover)

This one is a bit different from the usual K.Flay hippityhop. Its a softer, sadder, slower song, which is obviously going much more for the alt-pop sound of The Knife, which is fitting, since its about someone seeing a guy get knifed by a gang at a house party. I like this, but it sucks for the dude getting knifed.


Son Lux - Easy (Arandel Remix)


Speaking of The Knife, this song sounds a whole lot like stuff you might hear from them if they stayed on the path that "Silent Shout" and "Deep Cuts" were headed. This would be a soft track you would hear somewhere in the middle, and it is the kind that you grow to appreciate even more than the bigger tracks around it.


Aesop Rock & Blockhead - Try not to die

Ah, good ol' Aesop Rock. This one is an older b-side that he and Blockhead made in the early 2000s. If you like "Float" and "Appleseed" then you are getting a track you'll like.


SKOGSRÃ… - Now You See Me

What a great track to round out the post with. This one is sort of poppy, and really vibrant, funky, and just overall good for grooving. In fact, I'd say this track sounds a LOT like newer stuff you hear from Daft Punk, and who the hell doesn't love that? Whats best, is that it stays interesting and pleasing for nearly 7 minutes. I really enjoy it.


Alright. Dance like nobody is watching. Have fun.

5.1.14

Pretty Lights - A Color Map of the Sun & A Color Map of the Sun Remixes


Band / Artist: Pretty Lights
Year: 2013
Genre: Electro, Nu Breaks, Jazz, Funk Techno, Hip-Hop, Neo-Soul

My Review:
"A Color Map Of The Sun has been nominated for the Best Dance/Electronica Album GRAMMY"

This is awesome news, because I've been listening to Pretty Lights for the past couple of years. I'm excited to see him blowing up the world with his music, AND HE'S STILL GIVING IT AWAY. Okay, to be fair, you can also buy it (and you probably should throw him a few bucks since he works so hard), and there are links to that on his website here, http://prettylightsmusic.com/

As far as the music goes, it is a different sound and approach than the last Pretty Lights works. I think that for this one, he had started with a beat, then had artists come in and make music over it, only for him to come back through, mix and process their work, then do his magic over top of the whole thing. The end result is a wobbly, glitchy, soulful album that teeters between sad and active, with big old style jazz elements throughout.

Pretty Lights - A Color Map of the Sun (Disc 1)


Here's the remix album.


Pretty Lights - A Color Map of the Sun Remixes

If you want solid old school jazz, definitely come back in 5 days, but if techno-jazz is your jam, then by all means, jam out. Personally, I think this post and the next would go well alongside one another, in an odd couple sort of way

29.12.13

(SHORT TIME ONLY) Kanye West - Yeezus & CHVRCHES - Bones of What You Believe


Band / Artist: Kanye West
Year: 2013
Genre: Hip Hop, R&B

My Review:
I guess something had to come of me talking about Kanye the other day. Google Play is offering free downloads of his album "Yeezus" Right now.

I don't need to say much, because the man is in the news every other day, and if you want to hear his work, you'll listen to it. If you don't, then you don't.


The other share is CHVRCHES. Obviously they are in the news less. They are a band not much unlike Cut Copy, or some of the New Wave Revival bands that bring back that 80s synthpop sound. I liked their work quite a bit.

If you are getting this one or that one, then you need to have a google play account, and then you add the item to your cart, then purchase it for no money, then you have to download it from your "google library", which I am sure that you will be continuing to use for many decades in the future (sarcasm).

I hope that you enjoy it, or that you can give it to somebody who does. Good downloading.

Kanye West - Yeezus & CHVRCHES - Bones of What You Believe

6.12.13

INFECT - Chemical Threats (Phase I)

Band / Artist: INFECT
Year: 2007
Genre: Rap Rock, Hip-Hop, Horrorcore

My Review:
So I'm sure most out there remember the late 90's & early 2000's when there was that huge NuMetal and Rap Rock upsurge. Suddenly there was Limp Bizkit and Korn, and then that just seemed to keep growing.

Well that genre set split into two different things over time. On one side, the NuMetal genre became more and more experimented with and adapted, becoming some legitimate types of metal, some kinds of popular math rock, and a lot of other stuff. On the other side, Rap Rock kind of stayed around but dwindled off, with a couple small offshoot experiments, but one thing did rise out and become a cult following. Horrorcore.

Horrorcore is made in the harder, more aggressive end of the rap scene, and is supposed to just be gross and aggressive and unsettling, like good horror. Some of it is okay, but I usually dont much enjoy it.

This album though, I was enjoying. It reminds me of Methods of Mayhem (the first album, that second one really isn't worth listening to), but it needs a little more aggression and percussion sets to reach there. Some of the track topics are pretty good points of discussion, where some others are a bit annoying to me.

Either way, this album is an interesting, aggressive rap album with some nice usage of metal guitar at the beginning. Enjoy

INFECT - Chemical Threats (Phase I)

25.11.13

Max Tannone - Ghostfunk


 Band / Artist: Max Tannone
Year: 2011
Genre: Mashup, Funk, Dance, Hip-Hop

My Review:
All Ghostface Killa, all vintage african funk mixes. I shared an album from Max Tannone back last year, if you can remember Mos Dub, which is an all time favorite for me.

This album creates a really creative set of new grooves and rythms for a selection of Ghostface Killa's hit tracks, and the use of african funk tracks is so perfect, making these really chill and fresh sounding hip-hop tracks that kick ass.


If you dig this, and Mos Dub, then don't wait, and shoot back to the start of the blog, and pick up Wugazi - 13 Chambers as well. Wu Tang clan may be nothing to fuck with, but they sure are something to mash.

Max Tannone - Ghostfunk

5.9.13

A Problem Like Maria - Bonsai



Band / Artist: A Problem Like Maria
Year: 2013
Genre: Indie pop, RnB, Hip-Hop

My Review: 
I got an email from the other part of the song lwuaxana from the Rabbit Hole Revelations post. I have been watching A Problem Like Maria for a good 6 months now. I dig her stuff, and would love to get a chance to chat with her. Turns out, she was totally willing to make that happen..

Jumbly Music: Hello howdy hey


A Problem Like Maria: Hi what's up?


Jumbly: Not much. I'm just enjoying a chunk of day off for the first time this week. How about you?


APLM: About the same. It's the weekend! there's time for me to recharge and relax, and that's good.


Jumbly: so.. where to start.. Whats the back story? Where are you from, and how did you get into making music.


APLM: I'm from the Philippines. I grew up part of a musical family, so it just made sense to make music. It's always been a creative outlet and a comfort.


Jumbly: Do you ever feel like your history has any influence on your music now?


APLM: Yes, of course. But it's all sort of funneled into this huge vat of ideas, you know? personal history is thrust against historical fiction. what I've been noticing more recently is that it's my perception of social interaction that stands out. my songs are almost always about misunderstandings or wanting to be understood.


Jumbly: I can understand that. (badum tss) Well, do you tour? Or have you any plans to?

APLM: I don't tour. i do play local gigs with a band I'm in called the cellar doors, and rarely, I'll play as just me. performance isn't a big thing for me, but I'm hoping to change that soon. i just don't don't really know which direction to go, you know? i love jumping from one genre to another, it feels like such a heavy commitment to suddenly think of a regular live accompanying outfit for APLM--but the more i think about it the more i want to find out how that will sound.


Jumbly: I can understand that completely. I've been trying to branch my own music out toward something a little new, and considering where I started and where I'm aimed, I'd imagine that it will be a fun experiment...   Who do you have doing your album art?


APLM: Felipe (of new motive power, a great musical act from Brazil) has done three: for the decompose remix LP, for 99 problems and for the new EP, Bonsai. I'm fond of working with visual artists, too, so there are really a lot more names I should be mentioning, but as bonsai is the newest EP, I'll just mention the names involved with that: Aspen Sañez, Wilson Dela Fuente, Tristan Yuvienco, Quincy Gonzales, Dean Africa, David Alegre, and Corpse Corpuz. Each song is represented by one of their works, it's included in the EP download.



Jumbly: Cool. I love visual influences. How would you say is the best way to experience your music?



APLM: Wrap yourself up in a blanket, have a hot/sweet beverage at hand, lean back, put your headphones on and close your eyes. Unless we're talking about my upbeat songs, in which case swaying back and forth might help, haha.

Jumbly: I imagine that on the more dancey tracks that a nice venue like the Publiq House near where I live would be a great space for you. its dark, well lit with colored show lights. They serve good drinks, and make tasty food.

APLM: It would be fun to see how people dance to songs I sing that are dancey, since I'm not a dancer myself... Hahaha now I'm imagining it, how odd! 

Jumbly: I come out of the goth scene. Nobody dances well.



APLM: When I dance, I sort of look like a plate of jello on a table during a mild earthquake.


Jumbly: Hahahahaha! So what are you happiest with as far as distribution of your music? Pay as you will? Free giveaways? Where would you like to take it?

APLM: When I was a lot younger, I got caught up in the idea of being a professional musician... and it really did nothing but stress me out. now I just make music because I want to, because it feels right, because not doing it will have me cranky for weeks on end. I like it that way! Sure, it's nice when someone actually names a price higher than $0 on my bandcamp, but it's not a requirement. 

Jumbly: Do you like collaborating with new artists?


APLM: Yeah! I'm always open to new ideas and collaborations, the only problem is time. Sometimes things don't fall in place. When they do, though, it's beautiful. Some of my favorite songs and releases are the result of collaborations.

Jumbly: If any artists want to collaborate, how should they contact you?


APLM: Soundcloud works. or my site: aplmaria.thehai.org



Jumbly: Do you have any projects on the horizon you're planning for?

APLM: I may be working on a solo effort much like my EP Saudade, soon. and WGWGSA and I are working on Decompose 2, too. Right now I'm actually working on a few collaborations that got sidetracked during the making of Bonsai.

Jumbly: What about music/bands you're into right now?

APLM: I cycle through favorites more than listen to anything new. right now on my playlist are Chvrches, Com Truise, Similarobjects, The Uncluded, run the jewels and a heavy dose of Bjork to round it out. And Dillinger's new album on a different player so they don't shuffle together



Jumbly: Which Bjork? Selmasongs and debut are my tops. I liked Medulla as a third choice.



APLM: Post and Homogenic! and Biophilia actually. I had debut in tape, though. It's probably somewhere in my childhood bedroom still.



Jumbly: Never got the chance to check out Biophilia. to be honest, I've been feeling less interested in music outside of the realm of music I'd promote on Jumbly


APLM: I feel the same. I keep up with my favorites and re-listen to old reliables but for the most part a huge chunk of what i listen to is music my friends make.


Jumbly: Speaking of the blog, do you frequent Jumbly? Got any suggestions or things you'd like to see?

APLM: Regular unique (to your blog) content would be nice. Like come up with a unique rating system or a weekly/monthly/arbitrary reason to make a list of songs or albums... stuff like that. I mean the music is all already there and it's good, but it think if you wanna compete with the other music blogs out there what your blog needs is for your identity and how YOU enjoy/curate your music to shine through.

Jumbly: Hmm.. i do wish i could work more on the blog. Its a matter of lack of time, and keeping myself from burning out on all that new music. My goal is to continue to grow, and i want to find ways to reach out to more things as possible options. Really I'd like to have the chance to make Jumbly stronger and more like itself, if that makes sense.
 

Alright, so last real question. Whats your favorite guilty pleasure? Mine is watching star trek.
 

APLM: Are you kidding me? That's not even a guilty pleasure for me. I love star trek. Finishing battlestar galactica now. I guess the only real guilty pleasure i can think of is the occasional well written pop song. the last one to work its way into my ipod is Selena Gomez's "who says." hahaha

Jumbly: Thank you so much for sharing your music. I really like it.


___________________________________________________________

So here's a review. I had originally planned on doing a review of Lagniappe soon, but this one is good just as well. I'm more a fan of her singing tracks than of the hiphop duets. The beats are a little bit jazz, a little bit electro, and a really pleasant ethereal ambient. Altogether its a really wonderful sound, and i often wait for a moment where a symphonic part would rise up in the second half of a track, and she'd get a very diva-ish emotional part in there. Since I know you'll read this, you should totally do that in the future APLM.

She does a lot online, and keeps a tumblr for all those who are into that. Check it out.
http://a-problem-like-maria.tumblr.com/

I'm still not sure if I like bonsai more or less than the others I've been listening to. My favorites on this album are bypass, lutang, and DEFINITELY storm and the sea. That song is absolutely beautiful. That glitchy drum beat over such a mournful crooning is gorgeous.

Look up A Problem Like Maria, and then look up her friends. They are doing huge things right now, and they deserve the attention.


A Problem Like Maria - Bonsai

21.6.13

Free Singles - Soul Are, Raw Music International, Sportbilly Krsi Embargo, Ellie Goulding, Bassnectar





Soul Are - Southern Jakarta Hardcore

Indonesian METTTTTTTTTAAAAAAAAALLLLLLLLLLLLLLLLLLLLLLLLLLL. This one has a heavy garage quality, but it reminds me a lot of Killing Joke and early Fear Factory, or maybe a live show from fear factory. They've been together since 2000. Totally worth looking into, I know that I will be. Heres their facebook.

https://www.facebook.com/soulare/info


LaFam (Raw Music International) - Aduwa (ft. Chiness)

African soulful downtempo. This has a lot of interesting soundscapes in it. There is just a bit of the old school trance, with kenyan rappity ripping across the soft singing, and throat chanting. Soft and pleasant, a great way to relax for a minute before the next track coming up.


Sportbilly Krsi Embargo - Lemeka

I really like this song. It has that heavy guitar tuning that you used to hear from Korn, and the song itself is an amalgam of balkan and funk. So good.

So far I haven't found much about the band, but if I do, you can imagine that I might share it.


Halloween Town - Easy Lover

I'm loving all the songs so far on this collection. This reminds me of the old post on here from lavalier. Apparently it is a jam band made up of members of a couple different groups, including Louis XIV , Transfer, 12 Volt Sex, The Red Romance, Ambulance LTD, and The Killers. Here's their bio on Ryan Pardy's website.

http://www.ryanpardey.com/bio.html

..and if you enjoyed that track, here are two more. Your Christmas Song and A Faster Bullet.

Ellie Goulding - High For This
You are about to listen to a gorgeous rendition from the exquisitely talented English singer Ellie Goulding, covering The Weeknd’s ‘High For This’. With the help of Chiddy Bang producer Xaphoon Jones, the two lay a memorable cover from one of the most buzzed hip/hop group of the last 12 months.

This is a really chill song, with just enough glitch on the vocals to make it feel interesting. I could see a song like this being a big pop song, except its just too soft and not bouncy enough to make a pop single. It'd be more like one of the songs that yo hear on the album after you buy it, and then you end up liking it mroe than anything else on there. I do really like it though, it makes me think of Aliyah when she started to step out onto her own.



I'm working through this mixtape that just crossed the emails yesterday.  Bassnectar is always good for a little bit of wub, though this is a lot older than his Wub-works. Here's some of his information that came with this.
I’ve been wanting to re-release this for a long time…

This was a mixtape I recorded in one take on four CDJs back in 1999, summarizing my love for thick, heavy, hypnotic downtempo music: ethereal melodies, weird loops, funky acid jazz, trip-hop, and everything left field of center.
Musically, it’s a collection of songs which are very special to me...
 It feels a lot like something from Bonobo, and has a little bit of an old Cujo track. It even feels a little like a slacker riffing off of Buddha Bar, and coming out with something so much better.

17.5.13

K.Flay - I Stopped Caring in '96 (Pt. 1, 2, & 3)


Band / Artist: K.Flay
Year: 2012
Genre: Alternative Hip-hop, Alternative Pop


My Review:
I Love K.Flay. She may not always have a coherent story in her songs, but she always cranks out a great beat, and the lyrics go to some of the most unexpected and unorthodox places. This is a series of mxtape EP's that are the newest collection of work she has cranked out. These take a step away from the “MASHed Potatoes” Mixtape, and is much more from scratch, or at least nothing on it registers as something I've heard before.

The set is made of 3 parts. Made and released one at a time. Each of the volumes has a music video.

The first is subtitled as "I Feel Nothing", started out the set on April 1, 2011.


The second, subtitled as "I Feel Everything", came out on April 15, 2011


The second, subtitled as "Everything is Nothing", polished it off on April 29, 2011.


It was a fast paced release schedule, and all of it comes together to make one great album. Normally I split my time between this and the Eyes Shut EP.

 Alright peoples. Go get the album, and have a good one.


K.Flay - I Stopped Caring in '96 (Pt. 1, 2, & 3)

23.3.13

Poetic Death - Darcia


Band / Artist: Poetic Death
Year: 2012
Genre: Hip-Hop

My Review:
Some pretty nice garage hip-hop by Chad Marshall. The dark cover doesn't hint to how smooth and emotive parts of the album feel. Here's his website.

http://www.poeticdeath.com/#243/custom_plain

One thing I always disliked about hip-hop and rap is that it rarely talks about anything. Music should always do something for the mind, and not just tickle the “Food, fighting, and fucking” part of the id.

The album rides along a tone of nostalgia for a lost lover in the aftermath of a huge breakup. I recommend it if you're a fan of R&B or would be, its a humble, underrated album with a lot to offer.

Poetic Death - Darcia