Showing posts with label RnB. Show all posts
Showing posts with label RnB. Show all posts

29.12.13

(SHORT TIME ONLY) Kanye West - Yeezus & CHVRCHES - Bones of What You Believe


Band / Artist: Kanye West
Year: 2013
Genre: Hip Hop, R&B

My Review:
I guess something had to come of me talking about Kanye the other day. Google Play is offering free downloads of his album "Yeezus" Right now.

I don't need to say much, because the man is in the news every other day, and if you want to hear his work, you'll listen to it. If you don't, then you don't.


The other share is CHVRCHES. Obviously they are in the news less. They are a band not much unlike Cut Copy, or some of the New Wave Revival bands that bring back that 80s synthpop sound. I liked their work quite a bit.

If you are getting this one or that one, then you need to have a google play account, and then you add the item to your cart, then purchase it for no money, then you have to download it from your "google library", which I am sure that you will be continuing to use for many decades in the future (sarcasm).

I hope that you enjoy it, or that you can give it to somebody who does. Good downloading.

Kanye West - Yeezus & CHVRCHES - Bones of What You Believe

21.12.13

Chance the Rapper - Acidrap

Band / Artist: Chance the Rapper
Year: 2013
Genre: Mixtape, Rap, Alternative Hip-Hop, RnB, Chillout

My Review:
You have heard about Kanye a thousand times this year, and then he has been blowing up on tour and all... But was any of his new stuff really good? I'll let you argue about that one on your own time, but I will say this. You sure as hell didn't hear enough about Chancellor.



You may wonder why I mentioned Kanye at the start of this. It wasn't to bait the search engines. I just wanted to say that I loved "808's & Heartbreak", and it was a steady play for me, but I think I just got a replacement.

 Chancellor (or Chance the Rapper) is this dude that has been low on the attention scale, and that makes me sad, because he really is good, and he's a total bro for giving this away for free. Here is his website. http://chanceraps.com/

Enough Crap, you can find out more about the guy on his site, and you should grab this album. Also some guys are selling his album too, but he sees no money from it, and he hasn't been able to do anything about it since his stuff has been released as mixtapes. Fuck those guys.

Chance the Rapper - Acidrap

5.9.13

A Problem Like Maria - Bonsai



Band / Artist: A Problem Like Maria
Year: 2013
Genre: Indie pop, RnB, Hip-Hop

My Review: 
I got an email from the other part of the song lwuaxana from the Rabbit Hole Revelations post. I have been watching A Problem Like Maria for a good 6 months now. I dig her stuff, and would love to get a chance to chat with her. Turns out, she was totally willing to make that happen..

Jumbly Music: Hello howdy hey


A Problem Like Maria: Hi what's up?


Jumbly: Not much. I'm just enjoying a chunk of day off for the first time this week. How about you?


APLM: About the same. It's the weekend! there's time for me to recharge and relax, and that's good.


Jumbly: so.. where to start.. Whats the back story? Where are you from, and how did you get into making music.


APLM: I'm from the Philippines. I grew up part of a musical family, so it just made sense to make music. It's always been a creative outlet and a comfort.


Jumbly: Do you ever feel like your history has any influence on your music now?


APLM: Yes, of course. But it's all sort of funneled into this huge vat of ideas, you know? personal history is thrust against historical fiction. what I've been noticing more recently is that it's my perception of social interaction that stands out. my songs are almost always about misunderstandings or wanting to be understood.


Jumbly: I can understand that. (badum tss) Well, do you tour? Or have you any plans to?

APLM: I don't tour. i do play local gigs with a band I'm in called the cellar doors, and rarely, I'll play as just me. performance isn't a big thing for me, but I'm hoping to change that soon. i just don't don't really know which direction to go, you know? i love jumping from one genre to another, it feels like such a heavy commitment to suddenly think of a regular live accompanying outfit for APLM--but the more i think about it the more i want to find out how that will sound.


Jumbly: I can understand that completely. I've been trying to branch my own music out toward something a little new, and considering where I started and where I'm aimed, I'd imagine that it will be a fun experiment...   Who do you have doing your album art?


APLM: Felipe (of new motive power, a great musical act from Brazil) has done three: for the decompose remix LP, for 99 problems and for the new EP, Bonsai. I'm fond of working with visual artists, too, so there are really a lot more names I should be mentioning, but as bonsai is the newest EP, I'll just mention the names involved with that: Aspen SaƱez, Wilson Dela Fuente, Tristan Yuvienco, Quincy Gonzales, Dean Africa, David Alegre, and Corpse Corpuz. Each song is represented by one of their works, it's included in the EP download.



Jumbly: Cool. I love visual influences. How would you say is the best way to experience your music?



APLM: Wrap yourself up in a blanket, have a hot/sweet beverage at hand, lean back, put your headphones on and close your eyes. Unless we're talking about my upbeat songs, in which case swaying back and forth might help, haha.

Jumbly: I imagine that on the more dancey tracks that a nice venue like the Publiq House near where I live would be a great space for you. its dark, well lit with colored show lights. They serve good drinks, and make tasty food.

APLM: It would be fun to see how people dance to songs I sing that are dancey, since I'm not a dancer myself... Hahaha now I'm imagining it, how odd! 

Jumbly: I come out of the goth scene. Nobody dances well.



APLM: When I dance, I sort of look like a plate of jello on a table during a mild earthquake.


Jumbly: Hahahahaha! So what are you happiest with as far as distribution of your music? Pay as you will? Free giveaways? Where would you like to take it?

APLM: When I was a lot younger, I got caught up in the idea of being a professional musician... and it really did nothing but stress me out. now I just make music because I want to, because it feels right, because not doing it will have me cranky for weeks on end. I like it that way! Sure, it's nice when someone actually names a price higher than $0 on my bandcamp, but it's not a requirement. 

Jumbly: Do you like collaborating with new artists?


APLM: Yeah! I'm always open to new ideas and collaborations, the only problem is time. Sometimes things don't fall in place. When they do, though, it's beautiful. Some of my favorite songs and releases are the result of collaborations.

Jumbly: If any artists want to collaborate, how should they contact you?


APLM: Soundcloud works. or my site: aplmaria.thehai.org



Jumbly: Do you have any projects on the horizon you're planning for?

APLM: I may be working on a solo effort much like my EP Saudade, soon. and WGWGSA and I are working on Decompose 2, too. Right now I'm actually working on a few collaborations that got sidetracked during the making of Bonsai.

Jumbly: What about music/bands you're into right now?

APLM: I cycle through favorites more than listen to anything new. right now on my playlist are Chvrches, Com Truise, Similarobjects, The Uncluded, run the jewels and a heavy dose of Bjork to round it out. And Dillinger's new album on a different player so they don't shuffle together



Jumbly: Which Bjork? Selmasongs and debut are my tops. I liked Medulla as a third choice.



APLM: Post and Homogenic! and Biophilia actually. I had debut in tape, though. It's probably somewhere in my childhood bedroom still.



Jumbly: Never got the chance to check out Biophilia. to be honest, I've been feeling less interested in music outside of the realm of music I'd promote on Jumbly


APLM: I feel the same. I keep up with my favorites and re-listen to old reliables but for the most part a huge chunk of what i listen to is music my friends make.


Jumbly: Speaking of the blog, do you frequent Jumbly? Got any suggestions or things you'd like to see?

APLM: Regular unique (to your blog) content would be nice. Like come up with a unique rating system or a weekly/monthly/arbitrary reason to make a list of songs or albums... stuff like that. I mean the music is all already there and it's good, but it think if you wanna compete with the other music blogs out there what your blog needs is for your identity and how YOU enjoy/curate your music to shine through.

Jumbly: Hmm.. i do wish i could work more on the blog. Its a matter of lack of time, and keeping myself from burning out on all that new music. My goal is to continue to grow, and i want to find ways to reach out to more things as possible options. Really I'd like to have the chance to make Jumbly stronger and more like itself, if that makes sense.
 

Alright, so last real question. Whats your favorite guilty pleasure? Mine is watching star trek.
 

APLM: Are you kidding me? That's not even a guilty pleasure for me. I love star trek. Finishing battlestar galactica now. I guess the only real guilty pleasure i can think of is the occasional well written pop song. the last one to work its way into my ipod is Selena Gomez's "who says." hahaha

Jumbly: Thank you so much for sharing your music. I really like it.


___________________________________________________________

So here's a review. I had originally planned on doing a review of Lagniappe soon, but this one is good just as well. I'm more a fan of her singing tracks than of the hiphop duets. The beats are a little bit jazz, a little bit electro, and a really pleasant ethereal ambient. Altogether its a really wonderful sound, and i often wait for a moment where a symphonic part would rise up in the second half of a track, and she'd get a very diva-ish emotional part in there. Since I know you'll read this, you should totally do that in the future APLM.

She does a lot online, and keeps a tumblr for all those who are into that. Check it out.
http://a-problem-like-maria.tumblr.com/

I'm still not sure if I like bonsai more or less than the others I've been listening to. My favorites on this album are bypass, lutang, and DEFINITELY storm and the sea. That song is absolutely beautiful. That glitchy drum beat over such a mournful crooning is gorgeous.

Look up A Problem Like Maria, and then look up her friends. They are doing huge things right now, and they deserve the attention.


A Problem Like Maria - Bonsai

2.7.13

Low Leaf - GiGA GAiA EP


Band / Artist: Low Leaf
Year: 2012
Genre: Harpist, Alternative Pop, RnB, Nu Disco, Alternative Hip-Hop

My Review:

If the last Low leaf album I showcased was like an acoustic little dragon, this would be her taking another step toward their sound. I guess that since this came before, then the last one would be her taking a step away into a direction more her own. Here is her website.

http://www.creatordiy.com/

Don't get me wrong. This isn't an unoriginal work that just rips off someone else, nor does it seem that is her goal. She builds up a funky rhythm all her own, that comes off with the same weirdo groove of Beck, painting with a palette more like contemporary Hip-hop/Pop/RnB/Techno. Its thick and dripping of sounds like Missy Elliot, Squarepusher, Peaches, The Presets, MIA, Mouse On Mars.. I could keep this list going. Frankly, I'm really enjoying the way this album plays. The waves of awesome and weird lap in their own times.

Low Leaf - GiGA GAiA EP

9.3.13

Special post - Kukishi.tumblr - EP


Band / Artist: Kukishi.tumblr
Year: 2013
Genre: Punk-Rap, Alternative Hip-Hop, Dirty South, Rap, Bastard Pop, RnB, Lo-fi

My Review:
I got a rather cryptic email from a guy that was just a link to a Tumblr page. After a peek at what was there I asked the sender if it was music he was submitting, to which he replied "depends on if you like it".

Well I had a series of conversations with him after that and gave the tracks a listen in my Mardi Gras driving time, so here's what I can share with you. I edited them down to here, and made sure to omit enough to keep some of the mystery.

Just a heads up, there's some fairly blue parts in here toward the middle, but I didn't feel right editing it out.
________________________________________________

Jumbly Music: howdy. whats going on?
???: just listenin to Depreciation Guild. (悱 ≖⊿≖)悱 ..Are we interviewing now?
Jumbly: lol. yeah sure... SO where do you live? Whats the story on the music?
???: is it important where i live?
Jumbly: not directly, but it's nice to have some information about the music and the musicians.
???: It isn't totally me. and meh
Jumbly: so I'd assume that this is a shell persona in a sense
???: mmm depends on the song, but really the whole project is that. I don't put my name on the album, or ever say it in a song. I don't have any word names for the album or songs. The album name is just however you read the images of the covers.
Jumbly: do you have a persona that you'd prefer to go by? anything to make the work searchable? Why separate yourself so directly from your work?
Kukishi.tumblr: just the website name Kukishi.tumblr is what i'm sticking on stuff. Kinda starting from scratch...
Jumbly: alright. It seems like a cool idea to have the Tumblr part as an actual piece of the name. What would you say is influencing you as far as this work?
Kukishi: Umm I don't really know genres...rap and non-rap. It's very sample heavy full of everything i like, and some stuff i don't like.
Off the top of my head there's major samples of; newtral hilk motel, notorious big, ogre you asshole, bloc party, fight club, a clockwork orange, anamanaguchi, Kaiji, Animal collective, grizzly bear, Conan OBrien, BILLY STEWART, the zombies...
I'm sure theres more i'm forgetting
Jumbly: are you trying to meld the references into anything in specific? Would you say you're emulating any other artists with your work?
Kukishi: thats a weird question, the melding one
Jumbly: this is a weird interview.
Kukishi: I've done weirder :T
i guess a lot of the album with the samples i tried to use things oddly. ummm making hyped up bangers out of indie sounds, and doing things like non-4/4 time signatures and tempo changes, things that don't really happen in raphops.
Jumbly: are you planning to tour/ collaborate with others?
Kukishi: No plans to tour.
I've collab'd with people in the past and will in the future but that stuff isnt ummm...well those are one off type deals. Theres no collabs on my EP beyond the Notorious BIG verse, which doesn't really count. I don't like features on albums, they're shallow.
Jumbly: well, I haven't got much of your history or anything, so I'm just wondering, do you prefer to release your works like a hiphop mixtape, or you intend to release a full album in the future?
Kukishi: i'm going with "EP", especially since it's about the right length by the official terms of what an EP is...as decided by someone a hundred years ago for a medium we don't even remember.
Jumbly: Well doing everything from a blog would be a more forward facing way to approach it. So far you've got the EP on a blog, do you have a plan of how you'll expand that in time?
Kukishi: There's a single now too. Gonna be some more. Finishing up B-sides and trying to get a music video made
oh there is something else...for one of the music videos i had the idea of having a qt just stare into the camera for the length of the song....magibon style with less longface. and i've been having trouble getting someone to agree. if you got any qts in your readership that would be helpful.
Jumbly: I'll leave a message for volunteers. If anyone wanted to contact you about doing some kind of collaboration?
Kukishi: there's a thing on the tumblr you can send me a message with, http://kukishi.tumblr.com/ask
Jumbly: alright. Have you been following the blog, or did you have any suggestions there?
Kukishi: No idea! More porn maybe?!
Jumbly: do you have any extra artwork or photos you'd like to share in your post?
Kukishi: umm nothing in particular, want something?
Jumbly: Sure. if you don't care, I'll go with what I have.  
Kukishi:

i like calling the side-A tracks niggercore
Jumbly: well, your beats are good, and the genres chopped up and taken hold of was fun. I chuckled at the clockwork orange samples
Kukishi: I really showed self restraint on that track. It was originally 20 minutes of "DEVIL TROMBONE"
Jumbly: I have no idea what that is. but 20 minutes of it would probably be pushing it, unless you just want to fuck with people.
Kukishi: "fuzzy warbles"
Jumbly: Ohhh yeah, the quote.
Kukishi:  "DEVIL TROMBONE". That's my favorite quote from a clockwork orange. Double entendre-ing his music setup. Bitches be on their pitiful portable picnic players
Jumbly: I do love the sex scene, its hilarious, and a wonderful use of the music. That scene and the attack scene with the rest of the gang on the water are the best two in my opinion.
Kukishi: Can't take the eye scene huh?
Jumbly: No, I can take it fine, I just think that as far as cinematography goes, those two scenes are the better. specifically the attack scene, but the fuck scene is just good film that I might be biased for on the basis of hilarity.
Kukishi: I like it all so i got nothing to say. every scene in that movie is memorable and iconic in its own way.
*peers into buttcheeks* ARE YOU NOW OR HAVE YOU EVER BEEN A HO-MO-SEXUAL
Jumbly: yeah, that movie is really well put together, I like to wonder what it'd have been like were it made now.
Kukishi: don't worry it'll get a horrible remake eventually. "WE'RE REALLY NOT EMULATING KUBRIK ITS.....MORE BASED ON THE BOOK"
Jumbly: I'd hate to see the remake happen, I just wonder how good it's be if it were made now.
I'll probably mention my distaste about the *niggercore* thing, and the general usage. I like to be pretty honest about the music, but I try to stay objective. My tastes aren't other peoples, and I'm not working for pitchfork.
Kukishi: you should relax on "nigger" its not going away ever, and it's post-racist now. also i'm pretty certain there's a phonetic reason its so popular
Jumbly: fair enough I suppose. I avoid it for all the hatefulness I've experienced around it
Kukishi: welp, you mah nigga now. Its not like i go around saying nigger, i'm an adult after all. Nigger is a good hype word for hype songs....better than swag anyways. 
i'm pretty sure there's something phonetically addicitive about the G sound though. nigger, faggot, swag. guh. GGGGG. real g shit. GGGGRRRRL. gangsta used to be a big word. fell to the wayside because the meaning got in the way :T
Jumbly: well as I know it, "Gangsta" was really more of a musical genre name than anything else. G-funk was the chill brother to it, but Gangsta was the east coast responding to the belligerence of the west coast style. I suppose Dre is the founder of G-funk, which says something about why it'd be more chill.
Kukishi: i never really got that side, pac/snoop/dre/NWA/etc. They were all lacking lyrically. 2srs
Jumbly: well pac, nwa and the like were more the originals of the west coast scene, it morphed over to G-funk in time.
Kukishi: snoop had his moments. growing up it was badboy all the way until it fell apart.
Jumbly: Cypress hill had a decent amount of funk to their stuff as well, but they are more of an outlier to me... Alright well lets finish up the interview bit.
Kukishi: k
Jumbly: do you want to say something about anything posted before on the blog or suggest any other bands that people should look into?
Kukishi: you ask people to review things for your blog?
Jumbly: No I don't ask them to necessarily review things, I usually ask if they like any of the other artists I've posted or if they have any other artists they'd suggest to the readers, but I'm trying that out, everyone has an opinion, and other musicians voicing an opinion about others in the field, seems like something worth trying.
Kukishi: I could gush about Ogre You Asshole all day but it probably wouldn't be a fun read. I know some guys but none of them have finished albums/mixtapes so I cant even push them. 
I couldn't review anything because i don't have the proper vocab for it. I listen to all kinds of stuff across different genres....so much so that i have a hard time getting genres unless there's something specific to it. Like...this is rap, it has rapping....this is screamo, it has screaming...this is bleepbloops, it has bleepboops, but then I listen to to rapping screamo with bleepbloops and I don't know what I'm supposed to call it, or why I may or may not like it.
Jumbly: Well that's understandable. If you wanted to say anything its cool, but I don't mind if you don't.
Kukishi: I'd say something about how the west needs to have 20 new animated series each season like japan with 2 songs book ending each show #animation #newmusic
Here have some EXCLUSIVE. gonna be a b-side track, wubwubs made out of chiptunes

Jumbly: Thats sounding pretty badass. Last thing, what is the most valuable thing that the internet has taught you?
Kukishi: the most valuable thing the internet taught me is that stealing isn't stealing if the thing isn't a thing, so steal all the things that aren't things.
Jumbly: alright. Well thats pretty much it. Thanks for the chat and all, I'd like to hit you up later and see if you want to do some kind of art collaboration
Kukishi: k, thanks
__________________________________________________________________ 


Now on to a review. If you read all the interview then you already partly know what I'm gonna say, and if you didn't, you're likely to be pretty "TL.DR." about a long review, so I'll make it brief.

The layout is something like a mixtape, with the album being 2 mp3s, each containing a handful of songs. Its like an mp3 version of a cassette. If you like death grips, you'll probably like this. If you enjoy bastard pop, there is plenty to appreciate in it.

Its one part mash-ups and bastard pop, one part dirty south rap, and a little garage r&b. The lo-fi part is a strength, and cutting up all the samples he's using makes it pretty fun, and it definitely does have the bones to make it some good weird rap/r&b. The lyrics have some really solid moments for this style of rap, but some of the aggressive dropping of hype words hold me back from staying in the groove in parts. 

I would say that if he keeps up making music, then a year or two worth of growth is going to leave him making some fairly grade-A alt-rap-punk-bastard-pop, which is something I look forward to seeing. Especially with that extra he tossed me. Enjoy.

Kukishi.tumblr - EP


Also, if anyone wants to be a part of his music video he's making, shoot him a message.

8.1.13

Harbour City Electric - Without a sound

Band / Artist: Harbour City Electric
Year: 2010
Genre: Funk, Psychedelic Rock, R&B, Soul

My Review:
I've had this album in my chest of things that I need to post for at least 6 months. It figures I would wait long enough to be beaten to the punch by my brothers-in-groove at Moosick Revoos.

Harbour City Electric is a live seven-piece band from Wellington, New Zealand.  

Here's their members...
Simon Koziarski (guitar),
Paddy Bleakley (bass),
Ned Worboys (vocals),
Shaun Elley (drums),
Lex French (trumpet),
Richard Shirley (trombone),
Ed Zuccollo (keyboards)

And here's a quote about them.
Throwing synthesizers, tight horns, a kicking rhythm section and world-class vocals into the mix, Harbour City Electric have crafted their own unique style, which can only be described as Acid-funk and heavy break-beat soul.

This is rockin. It's such a rich sound, with flavors of Motown R&B, and jazzy psychedelic rock. Its a VERY good album that I'm proud to showcase, because it fits so well between the gaps I've had in my own collection.

26.12.12

The Bouncespot presents... New Orleans Christmas BOUNCE!


Band / Artist: Various artists
Year: 2012
Genre: Bounce

My Review:
Enjoy some saucy crazy bounce to make your shit happen for Christmas. Of all the music that you could possibly imagine being outside of the really irritating Christmas music that you have had to hear in EVERY place you ever go, this definitely is a great way to go.

http://www.nola.com/holidays/index.ssf/2012/12/shake_it_like_a_sleigh_bell_do.html#incart_m-rpt-2

Christmas Bounce
1. Christmas Tree - DJ BlaqNMild & Sess 4-5
2. Shake That Jingle Bell - Kris Baptiste (ft. Kourtney Heart)
3. Under The Mistletoe - Block Burnaz (ft. Mr. Meana)
4. This Christmas - Roca B (ft. Ya Boy Big Choo)
5. This Christmas - Big Freedia
6. Merry Christmas (New Orleans Bounce Mix) - R. Kelly
7. Christmas In New Orleans (remix) - Dani Wright

https://soundcloud.com/thebouncespot/new-orleans-christmas-bounce