Genre: Hip-Hop Beats, Dubstep, Electro, Jazz Rock
Did you watch old 90s anime movies, and find yourself enjoying the tackiness of the synths they used for the background music? Do you ever find yourself walking at night and wishing that somewhere off in the distance, there was a guy soulfully playing a saxophone? Did you fall in love with the wobble base noise the second you first heard of this mythical thing called "Dub of the Steppe"?
Well if you didn't answer any of those questions with a yes, then fuck you. Enjoy this band anyways.
Cosby sweater popped up in a random music search about 6 months ago. I was REALLY enjoying them, but somehow they fell off my radar and into my collection of tracks I needed to review one day. I found them again recently, and remembered why they made me so happy. There is so much going on here, that I'll let someone else try to explain it.
Everything about Cosby Sweater is catchy. From their witty moniker and humorous album covers, to the abounding funk they unleash. The burgeoning trio has established a knack for composing spellbinding numbers in the field of live electronica, fusing slick production with head-turning instrumentation on each robust release. This results is something so effervescent, so hair-raising, that even their most docile efforts could turn a dance-floor upside downSo if that doesn't tell you whats up, then I'll say a pinch more. David Embry on synth and vocals, Nicholas Gerlach on Tenor Saxophone and EWI, and Richard “Sleepy” Floyd on drums.
If you don't bob your head to this, then you hate freedom.
Cosby Sweater - Hey, Girl, Hey