Ana Bogner - Multiple Proportions

Band / Artist: Ana Bogner
Year: 2014
Genre: Experimental, Indie Alternative, Acoustic, Downtempo

My Review:

And then, all of a sudden, as if the storm came to an end, the room became silent. One heard a silent rattling reminding us of sundering thoughts, but still the room was silent. There was a roar of anepia around us, a shaft of light above the horizon starting to scream. Then we lay, floated, lay again on the constantly shapeshifting floor, being held by contemplation’s grip. Bridges formed, ruptures yawned, their mouthes, wide open at first, slowly closing (this is the work of our scars set in motion). There are monsters in that soul, waiting for you. The spiral repulsed, and the waves broke against the rock, untiredly seeping further towards the Nothing of this world. You’ll be found by waves which pass through everything, and if you dare to follow them, you’ll find entropy. But not an entropy of loudness, no. An entropy sketched and betokened, an entropy enmeshing and unwinding. And all of this in a feedback of reciprocity, freed from the hierarchy of a predetermined approach. It repeats and remains non-identical to itself. Since I built it in my mind i know: they haven‘t built the city we need. The room was filled with sound, but still the room was silent.

I want to bury myself in the first track on this EP for the whole day. I want it to just be the soundtrack of my life for a day. I want to go lay on a mattress in a lightly wooded field. I want to stare off blankly in the breeze of a dying winter, and I want this to play.

Its a strange softness, that seems like it rests between happy and sad, in a place of peacefulness. Really great album, and totally worth a listen if anything about this sounds appealing.

Ana Bogner - Multiple Proportions 

And then, all of a sudden, as if the storm came to an end, the room became silent. One heard a silent rattling reminding us of sundering thoughts, but still the room was silent. There was a roar of anepia around us, a shaft of light above the horizon starting to scream. Then we lay, floated, lay again on the constantly shapeshifting floor, being held by contemplation’s grip. Bridges formed, ruptures yawned, their mouthes, wide open at first, slowly closing (this is the work of our scars set in motion). There are monsters in that soul, waiting for you. The spiral repulsed, and the waves broke against the rock, untiredly seeping further towards the Nothing of this world. You’ll be found by waves which pass through everything, and if you dare to follow them, you’ll find entropy. But not an entropy of loudness, no. An entropy sketched and betokened, an entropy enmeshing and unwinding. And all of this in a feedback of reciprocity, freed from the hierarchy of a predetermined approach. It repeats and remains non-identical to itself. Since I built it in my mind i know: they haven‘t built the city we need. The room was filled with sound, but still the room was silent. light above the horizon starting to scream. Then we lay, floated, lay again on the constantly shapeshifting floor, being held by contemplation’s grip. Bridges formed, ruptures yawned, their mouthes, wide open at first, slowly closing (this is the work of our scars set in motion). There are monsters in that soul, waiting for you. The spiral repulsed, and the waves broke against the rock, untiredly seeping further towards the Nothing of this world. You’ll be found by waves which pass through everything, and if you dare to follow them, you’ll find entropy. But not an entropy of loudness, no. An entropy sketched and betokened, an entropy enmeshing and unwinding. And all of this in a feedback of reciprocity, freed from the hierarchy of a predetermined approach. It repeats and remains non-identical to itself. Since I built it in my mind i know: they haven‘t built the city we need. The room was filled with sound, but still the room was silent.